Internally, Lightroom operates in ProPhoto RGB. Since Lightroom editing operates directly on your raw files, it doesn't really convert them until you export to some other format. The default is based on your Camera Raw preferences, not on your in-camera color space choice at all. When you convert a raw image in Adobe Camera Raw, you can select between sRGB, Adobe RGB and ProPhoto RGB.
![where is adobe camera raw 9.10 on my pc where is adobe camera raw 9.10 on my pc](https://helpx.adobe.com/content/dam/help/en/camera-raw/using/whats-new/jcr%3Acontent/main-pars/image_1826612426/Panomerge-1.png)
Even when using Nikon Capture NX, you can override the default in-camera color space as you see fit. Adobe Lightroom and Camera Raw ignore this value.
![where is adobe camera raw 9.10 on my pc where is adobe camera raw 9.10 on my pc](https://i.ytimg.com/vi/oEqvoK6RYr0/maxresdefault.jpg)
#WHERE IS ADOBE CAMERA RAW 9.10 ON MY PC SOFTWARE#
Speaking as a Nikon shooter, this translates to just Nikon's own Capture NX software (or Nikon View, etc). But this only influences raw conversion for those users who use a raw converter that honors this value. When shooting raw, the camera doesn't actually embed a profile, but amongst all the embedded EXIF metadata, the MakerNotes area does contain an indication of the selected color space to be used when you convert each raw image. There are programs that can extract the embedded jpeg images on your computer where you can do further comparisons to support this observation. The actual embedded jpegs don't contain profiles but the wider gamut possible in Adobe RGB is definitely evident in the resulting histograms. You can see the difference by shooting two otherwise identical images, varying only the color space choice. The camera histogram for raw images is based on the embedded jpeg preview image which does honor the color space choice. Raw+jpeg mode though seems geared toward users that can't decide between the shooting raw and shooting jpeg and besides this article is about shooting raw. If I shoot raw+jpeg, the resulting jpeg images definitely have been generated using the selected color space choice.
![where is adobe camera raw 9.10 on my pc where is adobe camera raw 9.10 on my pc](http://photoshopcctutorial.com/wp-content/uploads/2020/04/91375463_1019810355079788_8261057775653442280_n.jpg)
If I shot much in jpeg, and if I somehow lost the embedded profile originally placed there by the camera, I might be happy to have the file name to fall back on, at least until I renamed the file, but this seems like a marginal benefit. As do most photographers though, I rename all my images once I copy them to my computer, so this difference is irrelevant. In sRGB image file names have an underscore in the middle whereas the underscore gets moved to the beginning of the name when the camera is set to Adobe RGB. The total gamut of a typical raw file actually exceeds even that of ProPhoto RGB in many respects, but a lot depends on just how you convert it to a usable image.īut if one accepts that the in-camera choice of sRGB versus Adobe RGB for raw capture doesn't make much sense, does it nonetheless make a difference?Īt least on my camera, the most obvious difference is the file naming scheme that results. Yes, there are limits to how bright as well as how "green" or how "red" a camera can record, but if you considered these limits as part of a color space definition, they wouldn't describe either sRGB or Adobe RGB at all. The truth is, a raw image doesn't really have a color space at all in the traditional sense. But even given that, the values for each color have an entirely different range of values and interpretation from the closest RGB equivalent. A raw file has just a single channel of information with half of the pixels distributed throughout the image representing green information and the remainder split 50/50 between red and blue. There aren't separate red, green and blue channels at all. It's nothing like a regular image and is really just a bunch of data that can later be turned into an image. To answer this question, it's worth starting from a common understanding of what a raw file is. But if you use raw, does the color space really matter? Most cameras that allow you to shoot raw also have numerous other options including the choice of color space between sRGB and Adobe RGB. When Shooting in RAW, What Color Space Should You Use?